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Regional Reviews: Phoenix The Elaborate Entrance of Chad Deity
Also see Gil's review of Schoolhouse Rock Live!
The play follows Macedonio "Mace" Guerra, the Puerto Rican fall-guy for the successful THE Wrestling League whose job is to continually lose to the other less skilled wrestlers in order to make them look better than they actually are. Mace is constantly biting his tongue at the inappropriate and uneducated racist remarks that "EKO" Olson, the owner of THE, makes and manages to hold his own against the charismatic Chad Deity, the champ. When Mace discovers "VP", an Indian-American Brooklyn kid with charisma who he thinks can make a great addition to THE and whom he could manage, he believes this is the way to rise above being just a supporting player in a world he loves. However, EKO has different plans, creating wrestling "characters" for both VP and Mace that paint them as anti-American villains, touching a bit too deeply on the stereotypes that professional wrestling relies on and the personal lives and experiences of both Mace and VP. Diaz has created an interesting play with interesting characters. He uses the portrayal of stereotypes, both good and evil, to show us how we almost instantaneously identify, in a mostly negative way, people about whom we don't really know that much. This is something that can easily be seen in, not just the world of professional wrestling, but the world in general. But since Chad, the "hero" and champ of the league, is a black man, it seems he is also saying that we still have a lot to learn in the way that Hispanics, Indian Americans and other non-white people are portrayed and perceived. And while the play is entertaining and upbeat, and brings up some interesting points, it does suffer from too much narration from Mace, letting us know what he was thinking at a specific time or telling us about specific events. In fact, about one third of the play is Mace narrating and talking to the audience. The excess narration bogs things down a bit. The play also lacks a concise and comprehensive ending, or at least an ending that has a better conclusion for the characters we've just invested our time with. Though the ride to the ending is an upbeat and entertaining one and the play might be a little lacking, the characters Diaz create are fascinating. Director Ron May has fortunately found five guys to bring these larger than life characters to life, all of whom easily come across as people you could actually see in a wrestling ring. Cisco Saavedra instils Mace with a sense of repressed struggle between the profession he loves and the constant battle against the negative words the people around him use and the stereotypical characters he is asked to play. Mace believes in the "art" of wrestling, something he's had a calling for since he was a kid. He understands that EKO is the boss so Mace needs to just keep his thoughts to himself, afraid that if he speaks what he is feeling it will cost him his job. Saavedra easily gets across Mace's struggle with subtle facial expressions and clenched teeth. Through Saavedra's performance we clearly see that Mace has seen too much and now has doubts. Pasha Yamotahari instills Vigneshwar VP Paduar with so much humor and charisma, you can easily see how VP not only gets dates with just about every woman he meets but how easily he charms Mace and EKO. But Yamotahari also lets us see how the words and situations around him bring him to a breaking point, one that is the catalyst for Mace's internal conflict to finally be brought out into the open. VP is just as charismatic as Chad, though less skilled in the ring; Yamotahari makes a fine wiry wrestler and his trademark out of the blue "Sleeper Cell" kick gets a great delivery. Jeremy Gillett makes Chad a very charismatic man but one who is also extremely egotistical, continually referring to himself in the third person. As EKO, Charles Campbell has nice comical skills. He is imposing but manages to bring an unexpected level of charm and even sweetness to the character. Campbell also provides the wrestling choreography for this production, the majority of which is displayed on pre-recorded video that is projected high above the stage. Campbell's 30-year career in the wrestling profession makes the wrestling moves—and the actors making them—look skilled and professional. Campbell himself shows some fine live moves that are just as impressive. Keath David Hall easily brings three wrestling "hero" characters to life using the same type of stereotypical mannerisms and speech that EKO uses on the anti-American "villain" characters he makes Mace and VP portray. It is a perfect way for Diaz to show us how easily we as an audience can quickly identify with a character, whether in a positive or negative way, without knowing anything about the actual person. Director May does an impressive job of getting his actors to show us the real people underneath the caricatures they play. He is also creative in the staging of the action, and there is a lot of it, along with using the entire theatre to stage the many "elaborate" entrances the wrestling characters make into the ring. Eric Beeck's inventive set design manages to surround the wrestling ring with two raised platforms and a series of steps that provide May with plenty of areas to create the various locations in the play. Daniel Chihuahua's costume designs are in line with the types of outfits the characters of professional wrestling wear, but also include some humorous ones for the crazy roles Mace and VP are forced to play. With the creative video projections and media design by Jesse Cabrera, Jeff A. Davis' rock star style lighting, Joey Trahan's clear and loud sound design, and that full-size wrestling ring, you feel many times as if you are at an actual wrestling match. The Elaborate Entrance of Chad Deity is thought provoking, entertaining and full of heart. It has a keen sense of showing us inside the world of professional wrestling, with its own version of theatricality and "characters" that are the backbone of the profession and the fans who love it. The Stray Cat production has a fine, game cast, assured direction and manages to be raucous entertainment even if Diaz doesn't quite find a way to fully wrap up the serious issues of stereotypes he brings up. The Elaborate Entrance of Chad Deity at the Stray Cat Theatre runs through May 17th, 2014 with performances at the Tempe Performing Arts Center, 132 E. 6th Street in Tempe. Tickets can be ordered by calling 480 227-1766 or at straycattheatre.org
Director: Ron May Cast :
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