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Regional Reviews: Phoenix Coriolanus Also see Gil's review of The Midtown Men–Holiday Hits
The plot follows Caius Martius, later called Coriolanus, a skilled Roman general whose stubbornness and pride lead to his downfall. His disdain for the common people conflicts with the needs of the republic, causing him to be exiled and eventually join forces with his former enemy. Shakespeare explores themes of class conflict, pride, and betrayal in this play. With its focus on political power, civic unrest, and the often-tense relationship between leaders and the people, Coriolanus delves into issues of governance, rebellion, and the balance of power. Shakespeare's plays often focus on issues and situations that are still timely, and in Coriolanus he provides not only a commentary on the fragility of democracy and the risks of unchecked power and ambition but also an exploration of political and personal struggles that remains relevant today. Hall's decision to set this production in the early days of America's independence adds new meaning to the story. In doing so, Martius becomes a divisive figure in the fragile American democracy still trying to deal with the aftermath of the Revolutionary War and trying to balance military leadership with the will of the people. However, while seeing the characters dressed in Revolutionary American garb works well to ground the plot in events more relevant to Americans, even if those events aren't exactly recent, the constant references to Rome in the dialogue continually pull you away from the updated setting. Coriolanus is portrayed by Keath Hall with commanding intensity and layered complexity. He skillfully balances Martius's unyielding pride and also his vulnerability, capturing both his admirable strength and tragic flaws. It's a powerful and intense performance. Megan Lindsay delivers a performance infused with strength as Volumnia, Martius's manipulative and ambitious mother. Her sharp delivery and tight control over Martius underscore the deep, troubling bond between them, making their scenes together crackle with the mother and son power dynamic. The supporting cast also shines, with notable performances by C.D. Macaulay as Menenius, Martius's loyal friend, and Phillip Herrington as Aufidius, his sworn rival. Menenius is portrayed by Macaulay with warmth, serving as a counterbalance to the darker elements of the plot and of many of the other characters. Herrington exudes intensity as Aufidius, making his conflicted relationship with Coriolanus compelling. Eric Darling-Bond and Z.A. Zuccotti add drama as well as moments of levity as the two scheming Romans, Brutus and Sicinius, who factor into many of the plot twists. David Lorello is powerful as the commanding Roman army general, and the entire ensemble cast shine playing multiple parts with ease. Under Hall's skilled direction, this production is taut yet accessible. However, while the minimal set design, which features only two columns, a door, a bench, and some movable chairs, allows the actors' performances to take center stage, there may be some confusion about the various locations since the set never changes. However, Hall's staging and fight choreography are excellent, with fantastic use of the aisles to immerse the audience into the plot so you feel the play is happening all around you and the fight scenes are dynamic and varied. Ronin's production of Coriolanus captures the timeless power of Shakespeare's work while offering a fresh, innovative approach. While the updated setting doesn't always work, with a strong cast, a clear vision, and thoughtful staging, this production is impressive. Coriolanus, a production of Ronin Theatre Company, runs through December 15, 2024, at the Irish Cultural Center, Phoenix AZ. For tickets and information, please visit www.ronintheatre.com. The production will also play in conjunction with Flagstaff Shakespeare Festival January 25 - 26; visit flagshakes.org for the January Flagstaff performances. Director: Keath Hall Cast: |
