| THE ENTERTAINMENT COMMUNITY FUND AND PLAYWRIGHTS HORIZON S ANNOUNCE ALEX TATARSKY AS THE 2024 RECIPIENT OF THE MA RK O’DONNELL PRIZE | |
| Posted by: Official_Press_Release 03:54 pm EST 12/16/24 | |
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| THE ENTERTAINMENT COMMUNITY FUND AND PLAYWRIGHTS HORIZONS ANNOUNCE ALEX TATARSKY AS THE RECIPIENT OF THE SEVENTH ANNUAL "MARK O'DONNELL PRIZE" FOR EMERGING THEATER ARTISTS New York, NY (December 16, 2024) –The Entertainment Community Fund and Playwrights Horizons announced today that New York City creator and performer Alex Tatarsky is the 2024 recipient of The Mark O'Donnell Prize, an annual prize presented to an emerging theater artist in recognition of their talent and promise. Playing with perceptions of language and narrative structure, Tatarsky's live performances are highly responsive to venue and audience, often breaking the fourth wall and embracing humor to reveal vulnerability and humanity. Tatarsky's latest project Nothing Doing, co-commissioned by Playwrights Horizons and Under the Radar, will be presented January 8-18, 2025 at Chemistry Creative in Brooklyn, NY as part of Under the Radar Festival's Under Construction work-in-progress series. The Mark O'Donnell Prize has continually changed the lives of countless folks including past recipients Dustin H. Chinn (2023), Shayok Misha Chowdhury (2022), L Morgan Lee (2021), Iyvon Edebiri (2019), Julia Jarcho (2018) and Leah Nanako Winkler (2017). Inspired by the singular mind of Mark O'Donnell, The Mark O'Donnell Prize is bestowed upon "America's most anomalous, singular and curious emerging writers, composers, directors and designers." The award includes a cash prize; use of The Mark O'Donnell Theater at the Entertainment Community Fund Arts Center, located at The Schermerhorn in Downtown Brooklyn, for one week to develop a reading of a new work; as well as counseling from the Entertainment Community Fund on two of the major challenges faced by emerging artists: how to apply for affordable housing and obtaining health insurance. The Mark O'Donnell Prize is funded by the Entertainment Community Fund, a human services organization serving everyone in entertainment and the performing arts and is made possible by a gift from Steve O'Donnell in memory of his brother Mark. The Schermerhorn, an award-winning 216-unit supportive housing development for low-income New Yorkers, continues to serve as home to The Mark O'Donnell Theater. The Theater serves as a resource for Brooklyn-based artists and arts groups to aid in the development and sharing of their work, as well as a venue for integrating the residents of The Schermerhorn with the surrounding community through the arts. The building is operated by the Entertainment Community Fund in collaboration with Breaking Ground, a non-profit developer that provides permanent affordable housing for individuals and families who are experiencing homelessness or at risk of becoming homeless. After a career of critical acclaim, Mark O'Donnell achieved commercial success when he co-wrote the book of the musical Hairspray, based on the John Waters film, with Thomas Meehan. The production earned the pair the 2003 Tony Award® and a celebrated seven-year run on Broadway, followed by the 2007 musical film adaptation. The writers went on to adapt the Tony-nominated musical Cry Baby for Broadway in 2008, based on a Waters film of the same name. Mark O'Donnell's Playwrights Horizons credits were That's It, Folks!; Fables for Friends and The Nice and the Nasty. His other plays include Strangers on Earth, Vertigo Park and the musical Tots in Tinseltown. He collaborated with Bill Irwin on an adaptation of Moliere's Scapin and co-authored a translation of Georges Feydeau's A Flea in Her Ear. He also adapted Feydeau's Private Fittings for the La Jolla Playhouse and a symphonic version of Pyramus and Thisbe for the Kennedy Center. Mr. O'Donnell published two collections of comic stories Elementary Education and Vertigo Park and Other TALL Tales as well as two novels, Getting Over Homer and Let Nothing You Dismay. His humor, cartoons and poetry have appeared in The New Yorker, The New York Times, The Atlantic and Esquire. He has received a Guggenheim Fellowship and the George S. Kaufman Award. The Mark O'Donnell Theater at the Entertainment Community Fund Arts Center is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by Council Member Stephen Levin. B I O G R A P H I E S Alex Tatarsky (Recipient of the 2024 Mark O'Donnell Prize). Called "a hilarious, finely tuned absurdist" (Theatre Jones) and "outrageous and profane" (New York Times), Alex Tatarsky makes performances in the uncomfortable in-between zone of comedy, dance-theater, performance art and deluded rant—sometimes with songs. Tatarsky experienced fleeting fame as Andy Kaufman's daughter and used to perform as a mound of dirt. Playing with perceptions of language and narrative structure, their live performances are highly responsive to venue and audience, often breaking the fourth wall and embracing humor to reveal vulnerability and humanity. Recent original evening-length performance pieces include the sold-out Off-Broadway hit Sad Boys in Harpy Land (Abrons Arts Center, Playwrights Horizons), Dirt Trip (MoMA PS1), MATERIAL (Whitney Museum), Untitled Freakout (The Kitchen), Buttplug Gnome (Gibney Dance) and Americana Psychobabble (LaMama). As curatorial fellow at the Poetry Project, they organized a series on the poetics of rot. Tatarsky is honored to have been a Pew Fellow, a Movement Research artist-in-residence and an Independence Fellow. They are one half of roving poetic research unit Shanzhai Lyric and its fictional office Canal Street Research Association. Research interests include bootlegs, hellscapes and compost. Social media: @tartar.biz ABOUT THE ENTERTAINMENT COMMUNITY FUND The Entertainment Community Fund, formerly The Actors Fund, is a national human services organization that addresses the unique needs of people who work in performing arts and entertainment with services focused on health and wellness, career and life, and housing. Since 1882, the Fund has sought to ensure stability, encourage resiliency and be a safety net for those who shape our country's cultural vibrancy. Learn more at entertainmentcommunity.org. ABOUT PLAYWRIGHTS HORIZONS Playwrights Horizons is a writer's theater committed to the advancement of bold and visionary contemporary playwrights, through the development and production of daring new work and the education of future theatermakers. In a city rich with cultural offerings, Playwrights Horizons' 53-year-old mission is unique among theaters of its size; the organization has distinguished itself by a steadfast commitment to centering the voice of the playwright. It's a mission that is always timely, and one that's necessary in the ongoing evolution of theater in this country. By expanding the U.S. theater canon with a wider range of voices, Playwrights Horizons aims to be a home for the exploration of playwriting and an anti-racist center of curiosity, dialogue, and artistic risk. Playwrights Horizons offers a season of productions annually on their two stages. Each production is a world, U.S., or New York premiere. Additionally, writers are supported in every stage of their growth through the New Works Lab, a commissions program (supporting several of today's most imaginative playwrights each year), and Almanac (a literary magazine about the theatrical art form). Much like Playwrights Horizons' work, their audience is risk-taking and adventurous; and the organization is committed to strengthening their engagement and feeding their curiosity through all of its programming, onsite and online. Ultimately, Playwrights Horizons believes that playwrights are the great storytellers of our time, offering essential contributions to civic discourse and illuminating life's paradoxes. And they believe in the singularity of each writer's voice, valuing the broad, eclectic spectrum and diversity of U.S. writers. # # # # entertainmentcommunity.org instagram.com/alifeinthearts Facebook.com/alifeinthearts Twitter.com/alifeinthearts linkedin.com/company/alifeinthearts tiktok.com/@alifeinthearts youtube.com/alifeinthearts |
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