10 years ago, I did a regional production of the newest version of the musical "Working" in Boston - the one-act, 6-performer version developed in Chicago. One reputable critic included in her "synopsis" of the show a number of moments that only appear in the previous incarnations of the show, in a manner that made it sound like that's what she saw in our production (but couldn't have). To this day I still wonder if she actually saw our show at all.
