Adding Blood Orange (Devonté Hynes) to the creative team is a major change to a critically heralded production for its move to Broadway. Count me as a fan of Blood Orange. This seems unusual, since most plays that move from off-Broadway to Broadway after critical approval don't make a major change like adding a new composer. I'm intrigued, after having felt more ambivalent about seeing this play after reading the linked piece in New York Magazine online.
